The film is decidedly dated, with some of the farce very overdone. Today, on the other hand, if you watch it for the first time, I doubt you'd be as awed. Hence the cult status that almost allows the film to rub shoulders with true great Jaane Bhi Do Yaaron. We grew up with Andaz Apna Apna, and when it came out in 1994, it was one of the greatest comedies in recent times. It would be priceless to have commentary tracks, to hear how Aamir and Salman now rate this lunatic comedy, almost a dozen years after it was made. Mr Santoshi, this would be a treasure on a Special Edition DVD. Raveena, as the pouting brat, actually gels quite well with the actors. Paresh Rawal and Shakti Kapoor emerge the most quotable, and this is one of the few films where Karisma's squeakiness is almost tolerable. This is the kind of film the phrase 'laugh-riot' has been coined to describe.Īamir is terrific in his role, but for my money this film belongs to the bumbling Salman, and I'd rate it as his least affected performance yet. It sounds insane because it is all plot devices functioning only to make you chortle, culminating in an irresistible climax. A switch is effected, and while the kids are trying to figure out which one is Tejaa, enter Crimemaster Gogo (Shakti Kapoor), Mogambo's nephew with a compulsive need to repossess. It doesn't help matters when we discover his identical twin, the villain Tejaa. Ram Gopal Bajaj (Paresh Rawal), Raveena's father is a strict disciplinarian, and disapproves of the filmi boys. Things, however, aren't as straightforward as the hopeful boys expect, and several outlandish characters pop in to spoil their plans. The dimunitive heroes set out to win Fair Raveena's heart, but Prem keeps getting foiled because he's distracted by her aide, Karishma (Karisma Kapoor). Prem falls for this intimidation, a relatively hesitant and easily-conned scoundrel, albeit with some tricks up his own, beefier sleeve. Amar is a rascal, a cocksure rogue with sharp wits and a domineering manner. Andaz Apna Apna is a madcap, extremely over-the-top film with fabulously quotable lines and unforgettable characters in a familiar, totally irrelevant premise.Īamir and Salman riff marvellously off each other, and their gamesmanship is the heart of the film. Both lads imagine great wealth and set off, meeting in a bus and sizing each other up as rivals while putting on a friendly face.īut why are we talking about the plot? This film is about the shenanigans, about the chaos and constant tomfoolery. They are driven thus by newspapers declaring that Raveena (Raveena Tandon), a billionaire's only daughter, has come to India to find herself a suitable groom. Their fathers, a barber and a tailor respectively, are tired of their no-good antics, and have further cause for fury when the sons sink the family savings and fly optimistically off to the city. Simultaneously, Prem (Salman) is being bamboozled into trying his luck in films. Slapstick madness begins from frame one as Amar (Aamir Khan) dreams of a life with Juhi Chawla.
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Still, when it comes to picking Salman Khan's finest film, I can't help but recommend one of the most-viewed DVDs of all time, Raj Kumar Santoshi's hilarious Andaz Apna Apna. Secondly, you pretty much lose all objectivity. You keep thinking about various moments in the movie, little bits of dialogue and nuances of expression, and you're constantly amused as you type. He is an alumnus of Whistling Woods International Film school.The thing about discussing a film you have seen a million times is that, firstly, you can't help grinning. He has also travelled across the world as a cultural exchange student while representing India. Avishkar has also been mentioned in Hollywood reporter, The Guardian along with leading newspapers in India and internationally. He is recipient of Rotary International President’s award titled “Honorary award for contribution in the field of cinema”. Avishkar, also a film critic, participated at the "Young Critic's Lab" at MAMI. He has directed music videos for labels like Zee Music company and Jass records. Avishkar has presented his film in Cambridge university and was part of its Jury panel and "Writer’s Round-table" for Watersprite Film Festival.
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His Comedy film "Apna Apna Andaz" won at the prestigious “Jio Mumbai Film Festival, 2019(MAMI)” and was screened at the Doha Film institute, NYC South Asian Film Festival, Atlanta Comedy FF, Indian Film Festival Stuttgart and IFFSA - Toronto. His Musical-Biopic "Vitha" is recipient of 40+ awards and has been screened in 100+ film-festivals, including Filmfare Short Film Awards, Dadasaheb Phalke IFF & Los Angeles Cinefest.
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Avishkar Bharadwaj is an Internationally acclaimed Indian film director, writer & actor of multiple Short films and Music Videos.